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Between and Mortarboard

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5 UMMA Objects
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This print looks like a construction drawing showing a section sliced through a wall. We see a vertical element in the middle that bisects the horizontal print and two horizontal elements extending from it to the right. Sections are labeled beam, window sill, floor, etc.
Robert Morris
Untitled
1973
Gift of Mr. Robert Rauschenberg
1976/2.119
This preparatory drawing for a sculpture has two drawings, side-by-side, of a vertical structure that has a dome-shaped top. The structures sit on top of boxes with diagonal lines running through them. On the right, the drawing has directional arrows pointing from bottom to top and over the structure from right to left. On the sides of the two drawings are handwritten notes in gold ink. The drawing is titled, located and dated (l.c.) " "La Vittoria" Milano 1970 (26 Nov.)" in gold pen and signed in pencil (l.r.) "Jean Tingeuly.".
Jean Tinguely (Swiss)
La Vittoria
1970
Gift of the Lannan Foundation in Honor of the Pelham Family
1997/1.104
Study for a portrait of the Vogels, with Herbert in the foreground and Dorothy visible behind him to the left. Line drawing in pencil with erasure marks. The portrait is sketched out in a square drawn on the sheet, and signed in the lower right corner. Notes to himself include: “Dot & Herb position?” (lower left corner), “proportion & lining up of the chins, eyes” (upper right corner).
Will Barnet
Study for the Collectors
1977
The Dorothy and Herbert Vogel Collection: Fifty Works for Fifty States, a joint initiative of the Trustees of the Dorothy and Herbert Vogel Collection and the Nation Gallery of Art, with generous support from the National Endowment for the Arts and the Institute for Museum and Library Services
2008/2.220
Heavily worked and reworked pencil drawing on large square of grid paper. Form is an ovoid shape with longitudinal and lateral lines, thinner than it is tall, fit into a rectangular box that represents the block of stone to be carved. At the bottom right of the sketched image, Highstein has noted the dimensions (7’ x 7’ x 2’) x 7. Seven blocks of granite at 2’ x 2’ x 7’ were meant to be stacked and carved into the proposed shape.
Jene Highstein
Early Stage of Proposal for General Mills Commission (Egyptian Beauty)
1987
The Dorothy and Herbert Vogel Collection: Fifty Works for Fifty States, a joint initiative of the Trustees of the Dorothy and Herbert Vogel Collection and the Nation Gallery of Art, with generous support from the National Endowment for the Arts and the Institute for Museum and Library Services
2008/2.232
This is a lithographic drawing of a rectangular form. The rectangle widens out slightly at the top and bottom.  In the center are thinner horizontal bars, partially shaded in.  An inscription is included in the lower left of the painting and a stripe of red ink has been printed bellow the rectangular form.
Donald Judd (American (North American))
Untitled, from "The New York Collection for Stockholm: 30 Artists"
1973
Gift of Mr. Robert Rauschenberg
1976/2.115
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